Prázdny
0,00 €
 
-1 %
Frantumaglia

Frantumaglia

Autor:
|
Vydavateľstvo:
Named one of The Guardian's -Best Books of 2016- From the author of My Brilliant Friend This book invites readers into Elena Ferrante's workshop. It offers a glimpse into the drawers of her writing desk, those drawers from which emerged her three early standalone novels and the four installments of My Brilliant Friend, known in English as the Neapolitan Quartet ...
Bežná cena knihy: 28,15 €
Naša cena knihy: 27,87 €
Ušetríte: 1 %
Zasielame: Vypredané
Detaily o knihe
Počet strán: 384
Rozmer: 145x216x35 mm
Hmotnosť: 616 g
Jazyk: Anglicky
EAN: 9781609452926
Žáner: Angličtina - beletrie
Zákazníci, ktorí si kúpili túto knihu, si kúpili aj...
Země zaslíbená
Barack Obama
43,89 €
Gentlemani a hráči
Harrisová Joanne
11,33 €
Kamaráti na cestách
Reichstädterová Daniela
9,95 €
Nemo - obrázkové kostky 12 ks
autor neuvedený
11,70 €
Jsme lepší než zvířata
Ladislav Krajina
0,00 €
O knihe
Named one of The Guardian's -Best Books of 2016- From the author of My Brilliant Friend This book invites readers into Elena Ferrante's workshop. It offers a glimpse into the drawers of her writing desk, those drawers from which emerged her three early standalone novels and the four installments of My Brilliant Friend, known in English as the Neapolitan Quartet. Consisting of over 20 years of letters, essays, reflections, and interviews, it is a unique depiction of an author who embodies a consummate passion for writing. In these pages Ferrante answers many of her readers' questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn't good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies. The result is a vibrant and intimate self-portrait of a writer at work.